The VFG believes that informed selling and buying communities are good for the vintage-fashion industry as a whole, and all visitors to the website have access to the VFG resources. These are continually updated and constantly evolving, thanks to a dedicated volunteer staff.
Our blog features our picks of the freshest vintage items, member news and articles. We have also created a growing series of articles on some classic designers.
The Vintage Fashion Guild™ (VFG) is an international organization dedicated to the promotion and preservation of vintage fashion.
The Vintage Fashion Guild™ (VFG) is an international community of people with expertise in vintage fashion. VFG members enjoy a wealth of resources, avenues for promoting their shops and specialties, and camaraderie with others who share a common interest and passion.
Jean Muir, (1928-1995) an English designer, worked her way up slowly in the fashion business. She started her career as a sales assistant in the lingerie department at Liberty of London in the early 1950s while studying fashion drawing at St. Martin’s School of Art.
Between 1956 and 1963 she studied jersey and knitwear design and manufacturing while working for Jacqmar and then Jaeger. She started her own line of clothing under the label Jane & Jane in 1962. In 1966 she founded Jean Muir Ltd. with her husband, Harry Leuckert.
Muir particularly liked working in soft, flowing fabrics: jersey, wool crêpe, silk satin, and soft leathers and suedes. Fluidity was particularly important to Muir who ensured comfort in all her clothes. Muir modeled her own toiles to ensure everything fit and flowed. She believed the secret to designing was primarily in understanding the female anatomy and took an exacting, mathematical approach to her designs. Muir had a reputation for perfectionism and exacting standards in all aspects of production. Although her character seemed strict and disciplined, her clothes were not. Her fashions stayed away from restrictive interfaced fabrics, structured tailoring and underpinnings. Her clothes were emancipated, flowing, and had a timeless quality to them, although her collections would never be mistaken for anything that was at the cutting edge of style.
See Also: Jane & Jane
Written by kickshawproductions
Courtesy of poppysvintageclothing
Courtesy of claireshaeffer
Courtesy of cactusandcattails
Courtesy of bigchief173
from an early 1960s dress
from a late 1960s dress
from a 1970s knit dress
from a 1980s suit
from a 1980s cardigan