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In the early 1870s, shoulders returned to the position nature intended. The long-line cuirass bodice appeared in 1876–78. This reached to the hips in all its molded, whale-boned glory. Day bodices had high necklines and fitted sleeves with pleated or ruffled cuffs. The new look for evening was three-quarter-length sleeves with a square neckline.

In 1876, although the amount of skirt drapery remained constant (or even more complex), the bustle foundation disappeared. A very small hoop was worn, primarily to keep the mass of fabric away from the feet.

Fabrics were light in color and weight, with cotton, silk taffeta, and light wool favored. The problem of fitting outerwear over bustles was solved when three-quarter-length cloaks and Dolman mantles (a short capelet with wide sleeves) began to appear.

Written by The Vintage Fashion Guild


1869 - 1870 brown silk moiré & velvet gown - Courtesy of pastperfectvintage.com

1869 – 1870 brown silk moiré & velvet gown

Courtesy of pastperfectvintage.com

1872 Morin-Blossier silk faille gown - Courtesy of vintagetextile.com

1872 Morin-Blossier silk faille gown

Courtesy of vintagetextile.com

1875 sage green silk gown - Courtesy of antiquedress.com

1875 sage green silk gown

Courtesy of antiquedress.com

 1875 sage green silk gown (back view) - Courtesy of antiquedress.com

1875 sage green silk gown (back view)

Courtesy of antiquedress.com

1877 olive green wool & silk chenille dress - Courtesy of pastperfectvintage.com

1877 olive green wool & silk chenille dress

Courtesy of pastperfectvintage.com

 1876 brown silk taffeta dress - Courtesy of corsetsandcrinolines.com

1876 brown silk taffeta dress

Courtesy of corsetsandcrinolines.com