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The Vintage Fashion Guild™ (VFG) is an international organization dedicated to the promotion and preservation of vintage fashion.
The Vintage Fashion Guild™ (VFG) is an international community of people with expertise in vintage fashion. VFG members enjoy a wealth of resources, avenues for promoting their shops and specialties, and camaraderie with others who share a common interest and passion.
Claire McCardell’s (1905-1958) first important job in fashion was as an assistant to designer Robert Turk from 1929-1931. In 1931 she went to Townley Frocks as an assistant to Robert Turk when he was given the job of head designer. When he died in an accident, McCardell was given the job of finishing the fall 1932 line. The designs were a moderate success and McCardell was given the job of head designer.
During these first years at Townley, McCardell began to develop what she referred to as “McCardellisms” – the signature touches that she turned to again and again: bias cutting, metal hook fasteners, wrap tie fasteners, and asymmetrical closings. The Townley Frocks label of the 1930s says “Townley Frocks” and has a picture of a woman golfer swinging her club.
Her first huge success came in the fall of 1938. This was her Monastic dress, a dress that had no front, back, or waistline and that tied to suit the wearer. This dress was originally produced for Best & Co., who marketed the dress as the Nada Frock. Its success led to its inclusion in the Townley line.
Because of financial and legal problems (due in part to the rampant copying of the Nada Frock), Townley was forced to close in 1938. McCardell was offered a job at Hattie Carnegie, designing a line called Workshop Originals. McCardell’s casual style did not mesh well with the more glamorous Hattie Carnegie image, so she left in 1940. She went to work for Win-Sum, a line of low-cost clothing.
Townley reorganized and reopened in 1941. McCardell was made head designer at Townley under the condition that her name be put on the label. She stayed there until her death in 1958. During that time, McCardell became recognized as a true American original. In 1955 Time magazine did a cover feature on McCardell. In the article, Stanley Marcus was quoted as saying, “She is one of the few creative designers this country has ever produced.”
Many of McCardell’s designs have a timeless quality. This was because she was not trying to reinvent the dress twice a year, but, rather, she kept the design ideas that worked for her and that were comfortable and versatile.
“I’ve always designed things I needed myself. It just turns out that other people need them too.” Claire McCardell, 1955
Label Note: In 1996 a New York company produced a line of clothing labeled “Claire McCardell.” This practice was challenged by the McCardell family and the company, which had closed anyway, agreed to stop production. See last label.
Written by fuzzylizzie
Courtesy of fuzzylizzie.com
Courtesy of denisebrain
Courtesy of No Accounting for Taste
Courtesy of claireshaeffer
Courtesy of StraylightVintage
Courtesy of Hollie Point
Courtesy of coutureallure.com
Courtesy of Another Time Vintage Apparel
Courtesy of gladragsandcurios
from a 1946 suit jacket
from a late 1940s dress
from a late-1940s dress
from an early 1950s dress
from a 1950s dress
from a 1950s sundress
from a 1954 jacket
from a pair of 1950s gloves
from a 1996 garment. See note above