Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

Skip to content

Sybil Connolly (1921-1998) was born in Wales of an Irish father and she was educated in Waterford, Ireland. In 1938 Connolly studied dress design at Bradley’s dressmaking establishment in London, where she attended fittings for Queen Mary.

She returned to Dublin at the beginning of WWII and joined the Irish fashion house of Richard Alan. She quickly rose through the ranks to become Director at the age of 22. From 1953, she designed her own couture line under her own name, Sybil Connolly for Richard Alan. This was launched at Dunsany Castle and Connolly was the star. Thus she became an overnight success story and well known in Ireland, the USA and later Australia.

She left Richard Alan in 1957 and established her own fashion house. She gained much publicity and attention for her unusual adaptations of traditional textiles such as Irish linen, crochet and lace, redesigning them into delicate blouses and dresses.

Throughout the 1950s and 1960s, Connolly helped popularise hand-woven woolens, tweeds, and mohair as fashion fabrics. She also worked in interior design and gained a huge reputation, writing books on Irish homes and designing crystal and pottery for Tiffany & Co.

Written by sarasattic.co.uk


from an early 1950s skirt  - Courtesy swaneegrace

from an early 1950s skirt

Courtesy swaneegrace

from a late 1950s/early 1960s suit  - Courtesy of coutureallurevintage.com

from a late 1950s/early 1960s suit

Courtesy of coutureallurevintage.com

from a 1960s dress  - Courtesy of contentmentfarmantiques

from a 1960s dress

Courtesy of contentmentfarmantiques