Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

Skip to content

Ossie Clark (1934-1996) went to work at Alice Pollock’s Quorum boutique in 1965, along with textile designer Celia Birtwell, whom he later married. Together, they created clothing that was one of the defining looks of the late 1960s and early 1970s.

Birtwell’s fabrics were romantic and printed on a variety of textiles, including chiffon, velvet, and rayon crepe. Clark took the textiles, often combining several in a single garment, and created beautiful dresses. They often had a scooped or deeply V-ed neckline, long flowing sleeves and ingeniously cut panels that gave the appearance of layering. He also did a line of snakeskin clothing that was wildly popular.

In 1969, Alfred Radley became a partner in Quorum, and Clark started designing not only for Quorum, but also for Radley. These Radley garments were not always designed entirely by Clark, as designers at Radley took his sketches and patterns and then designed other dresses using the design concepts. These clothes were much more affordable than Quorum designs, and so Clark’s influence continued to grow.

By the end of the 1970s, Ossie Clark’s career was pretty much over except for the occasional dress for a private client. He died in 1996.

The label was briefly revived in 2008 by Marc Worth and designer Avsh Alom Gur, but it closed after the fall 2009 collection was shown.

Written by Lizzie Bramlett, fuzzylizzie.com


from a 1969 moss crepe dress Couture line label - Courtesy of emmapeelpants

from a 1969 moss crepe dress Couture line label

Courtesy of emmapeelpants

from a 1969 crepe dress - Courtesy of Shrimpton Couture

from a 1969 crepe dress

Courtesy of Shrimpton Couture

from a 1969 crepe dress - Courtesy of Shrimpton Couture

from a 1969 crepe dress

Courtesy of Shrimpton Couture

from the early 1970s - Courtesy of vintage-voyager.com

from the early 1970s

Courtesy of vintage-voyager.com

from a mid 1970s blouse - Courtesy of emmapeelpants

from a mid 1970s blouse

Courtesy of emmapeelpants

from a late 1970s dress - Courtesy of palette london

from a late 1970s dress

Courtesy of palette london