The VFG believes that informed selling and buying communities are good for the vintage-fashion industry as a whole, and all visitors to the website have access to the VFG resources. These are continually updated and constantly evolving, thanks to a dedicated volunteer staff.
Our blog features our picks of the freshest vintage items, member news and articles. We have also created a growing series of articles on some classic designers.
The Vintage Fashion Guild™ (VFG) is an international organization dedicated to the promotion and preservation of vintage fashion.
The Vintage Fashion Guild™ (VFG) is an international community of people with expertise in vintage fashion. VFG members enjoy a wealth of resources, avenues for promoting their shops and specialties, and camaraderie with others who share a common interest and passion.
Bill Blass (1922-2002) began sketching glamorous fashions in the mode of those he was seeing out of 1930s Hollywood as a boy in Fort Wayne, Indiana. He went to New York in 1940 to attend Parsons School of Design, and then worked at David Crystal as a sketcher.
After the war, and after a brief stint at Anne Klein, Blass ended up working as an assistant to Anna Miller. (Most sources give the year as 1946, but Blass gives the date as 1949 in his autobiography.) He also hired Missy Weston, a girl with social connections, to be his model. Through her he attended parties, meeting the people he hoped to dress. In time, he became a part of this social scene, giving him great insight to the way sophisticated New York women needed to dress.
Throughout the 1950s, Blass worked at Anna Miller, developing the glamorous style for which he would be best known. In 1959, Anna Miller merged with the company her brother had founded, Maurice Rentner, and Blass became the designer. His name was put on the label in 1960. In 1962 Blass became the vice-president of that company. Blass bought the company in 1967, and in 1970 the name was changed to Bill Blass, Ltd.
By this time Blass was a major US designer, and he was in big demand at NYC parties. He was also expanding his business, first with a lower-priced line, Blassport, in 1972, followed by dozens of licenses.
Blass continued to dress women in glamorous styles, even in the unglamorous early 70s. In 1975 he even brought back the cocktail dress, which had all but disappeared from the fashion scene. In the ’80s, he became one of First Lady Nancy Reagan’s favorites, and in keeping with the times, designed luxurious clothes from ornate fabrics using bright colors. As times changed, so did Bill Blass, but he produced clothes full of glamour and luxury to the end of his career, designing for the women he understood so well. After suffering a stroke in 1999, he sold Bill Blass, Ltd., and retired from designing. He died in 2002.
The first designer to replace Blass was Michael Slowik. He was there for a year before he was replaced by Lars Nilsson, his assistant. Nilsson was fired just after the showing of the Fall 2003 line. The line was designed by Michael Vollbracht during the mid 2000s. In July 2007, Peter Som was made designer of women’s wear at Bill Blass. By 2008 the line was in financial trouble, and the owners were seeking a buyer. There was no showing of the Spring 2009 line, and designer Som quit in October. In December 2008, it was announced that Bill Blass would be closing, but that licenses would still be produced.
“No woman can be well dressed unless she is comfortable in what she is wearing.” Bill Blass
Written by fuzzylizzie
See vintage Bill Blass from VFG members on Etsy (paid link)
Courtesy of thevintagepeddler
Courtesy of pastperfectvintage.com
Courtesy of morning-glorious
Courtesy of fuzzylizzie.com
Courtesy of claireshaeffer
Courtesy of bartondoll
Courtesy of Ranch Queen Vintage
Courtesy of coutureallurevintage.com
Courtesy of bigchief173
from a 1960s mod coat
from a 1960s sundress
from an early 1970s evening gown
from a 1970s evening dress
from a 1970s men's sweater
from a 1970s dress
from a late 1970s / early 1980s evening dress
from a late 1970s skirt
from a late 1970s / early 1980s men's blazer
from a 1980s evening gown
from a 1980s men's suit jacket
from a 1980s sportcoat
from a 1980s print blouse
from a 1980s coat
from a 1980s dress
from a 1980s women's jacket
from a 1980s print dress
a 1990s licensed label
from a 2006 runway dress