The youngest child of five and only daughter of a fashion conscious father, Hanae Mori (1926-2022) grew to share his love of fashion, texture, and colour. She went to public school, then university in Tokyo, studying literature. During the war she had to suspend her studies to work, then married a son of a wealthy and successful textile manufacturer. She returned to study after a few years of homemaking and focused on fashion.
Whilst on holiday in Paris in 1960, Mori had a fateful fitting with Coco Chanel. She claimed this meeting changed her life and she challenged herself to realise her own dream of designing haute couture. She returned to her small Tokyo office, where she had been designing significant numbers of costumes for directors including Ozu, Oshima and Kurosawa. She had been thinking of throwing in the towel, but this meeting gave her new enthusiasm and a new challenge. In 1963 she launched VIVID, her first ready-to-wear line, and had orders from prestigious stores such as Neiman Marcus. In 1965, she debuted her first overseas collection in NYC, receiving acclaim as a fusion dubbed “East meets West”.
In 1975 Mori moved to France and showed her collection in Paris. In 1977 she opened her atelier there, and commuted between Paris and Tokyo.
Mori was the Queen of Couture in Japan and had the patronage of Princess Masako, who favoured her refined suits and floral evening gowns for formal functions. Her trademark east-meets-west blend of Mao collars, kimono sleeves, and Western couture techniques graced the likes of both Nancy Reagan and Hillary Clinton, Princess Grace of Monaco, and Sophie Marceau.
In Paris in July 2004 Hanae Mori said goodbye to the fashion world, with her last haute couture collection. Her gowns were exquisitely embroidered with her trademark butterflies and her granddaughter, 21 year old Izumi Mori, wore her finale wedding gown. The audience rose to their feet for a last ovation.
Written by sarasattic.co.uk
from a 1970s dress
Courtesy of antiquedress.com
from a 1970s dress
Courtesy of bigchief173
from a 1970s jersey dress
Courtesy of Ranch Queen Vintage
signed fabric from a 1970s jersey dress
Courtesy of Ranch Queen Vintage
from a 1970s dress
Courtesy of ilish
from a 1970s vest
Courtesy of Aimee Irving Bell
from a 1970s gown
Courtesy of claireshaeffer
from a 1980s dress
Courtesy of bigchief173
from a 1980s dress
Courtesy of My Vintage Clothesline
from a 1980s tweed jacket
Courtesy of themerchantsofvintage
from a 1980s evening dress
Courtesy of claireshaeffer
